It’s easy to see why this film was
an Oscar nominee for best foreign film this year.
It packs a real wallop. But it
will probably suffer lack of exposure in the
. There are many American viewers who will not want to work through the
subtitles (the original dialogue is Arabic and French).
There are no
stars involved in the casting. The
sequences jump back and forth in time, between mother/daughter characters
who look similar, so the viewer has to pay close attention to know when
we’re switching eras. And though
the specific Middle Eastern country involved is intentionally left vague,
there’s still a lot of historical background that the movie assumes the
viewer will know, including shifting alliances between religious groups,
depending on developing political situations.
But despite these difficulties, the open-minded moviegoer will want
to seek out this film, because it leaves such a lasting impression.
We begin in the office of a stolid
notary, a French Canadian (Remy Girard), who’s reading a last will and
testament to Simon (Maxim Gaudette) and Jeanne Marwan (Melissa
Desormeaux-Poulin), the deceased’s grown children.
The careful, circumspect notary has a particular interest in this
case, because the deceased, Nawal Marwan (Lubna Azabal), worked for him for
17 years as a secretary. He says she
was “like one of the family.” He
then reads to the survivors her startling requests:
first, that her body not be finally buried until her children
complete the assignments they are now given:
Jeanne to find her father, and Simon his brother, and hand over
sealed envelopes which their mother had written before she died.
Simon and Jeanne are completely
stunned. They thought their father
was dead. They didn’t know they had
a brother. They do not wish to drop
out of their lives and journey to the
. Simon just storms out of the room,
exclaiming that they can bury his mother any way they want, but he’s not
buying into any of this.
Jeanne, though, is obviously torn.
She has a life: as an
assistant professor of (theoretical) mathematics at the university.
But she considers it a sacred obligation to fulfill the dying wishes
of her Mother. And so she journeys to
the land she’s never been, the birthplace of her Mother, and discovers
there some explosive secrets that completely rock her world.
She calls her twin brother, begging him to come, and finally, he
does. And he, too, is completely
flabbergasted by what they learn there, from older people who still remember
their Mom when she was young, and knew something about her tumultuous life
during an incendiary time in their country’s history.
If you choose to see this film, you,
too, will become enmeshed with the characters in their mind-boggling quest
for their own identities, building up to an unforgettable conclusion.
Sure, there are plot holes (particularly in suddenly acquiring
foreign language skills), and some confusing screenplay, but for the
adventurous movie viewer, the startling impact will be well worth the
Dr. Ronald P. Salfen, Co-Pastor,
United Presbyterian Church,